Brits Put Cheek In Costumes

Tom Jones Gets the British Invasion Off To a 1963 Start

The saucy one that won Best Picture for 1963, then curdled somewhat in critical estimation (it dates, some say, or wasn't that funny to begin with). Also there's UA's negative gone pink plus loss of contrast in dark scenes; either way, Tom's no longer robust, even in HD. Could enough money salvage a once lush landscape, or more to point, would present owner MGM be willing to spend? Tom Jones is fun in a right spirit ... do revival houses ever use it? I'm curious as to how Tom would play to a modern audience. 1963 folk thought him the bawdiest delight of so-far cinema, a single-hand rout (by director Tony Richardson and writers) of long in-force censorship. I recall hotreputation the thing had, right unto NBC premiere play in later 60's, one of those for which you'd lower volume lest parents note what's on. Anyway, Tom seems to be among least-lauded "Best Pictures" of its era. 

Nicely Subtle and Suggestive 1963 One-Sheet

US release was brilliantly handled by United Artists, result an all-time blockbuster among Brit imports. Tom Jones was celebration of lechery and rough manners, a '63 public ready for just that. Timing was obviously ideal; who knows what something like this would have done a mere season earlier, or after. Certainly imitators went down trying: Paramount's The Amorous Adventures Of Moll Flanders only managed $1.6 million in domestic rentals, which surely got them out of puffed sleeves and wigs for a while. Perceived "dirty" movies were hits in seemingly  unleashed 1963: Irma La Douce, also from UA, did terrific biz, but like Tom Jones, isn't talked about so much now. UK observers might have called Toman 18th century kitchen sink movie with laughs; people talk continually with mouths full, and in fact, eating stands in for sex from which the pic discreetly cuts away, a droll narrator mocking that screen convention.

Albert Finney looks at the camera like Oliver Hardy used to, a surprise conceit that delighted 60's audiences who'd not witnessed such cheek for years. Ugliness and cruelty of ye olden days aren't side-stepped: a hunt scene shows spurs dug into horseflesh close-up, and yes, it's sobering. Dogs and pigs are everywhere; we're made to know what a grubby era this was. Tom Jones stayed in profitable circulation for a long while ... I recall it coming back to our Starlight Drive-In on a double with Irma La Douce, the notion of paired libertines thought irresistible to parked viewership, in-car privacy lending opportunity to emulate salacious acts implied onscreen.